Sixteen Stone
| Sixteen Stone | ||||
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| Studio album by | ||||
| Released | 6 December 1994 | |||
| Recorded | January 1994 | |||
| Studio | Westway Records, London, England | |||
| Genre | ||||
| Length | 52:38 | |||
| Label | ||||
| Producer | ||||
| Bush chronology | ||||
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| Singles from Sixteen Stone | ||||
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Sixteen Stone is the debut studio album by English rock band Bush, released on 6 December 1994 by Trauma and Interscope Records. It became the band's most popular album, peaking at number four on the US Billboard 200 and boasting numerous successful singles. "Comedown" and "Glycerine" remain two of Bush's biggest hits to date, each reaching number one on the US Billboard Modern Rock Tracks chart.[8] "Comedown", "Machinehead", and "Glycerine" were the three songs from the album to enter the US Billboard Hot 100, reaching number thirty, number forty-three, and number twenty-eight, respectively.[9]
To mark its twentieth anniversary, a remastered edition of the album was released on 14 October 2014.
Recording and background[edit]
Sixteen Stone was recorded in January 1994 at Westway Records in London,[10] and produced by Clive Langer and Alan Winstanley.[10] In 1999, Gavin Rossdale explained that the decision to have Langer produce the record was brought about by Langer simply being English,[10] and by his work co-writing the song "Shipbuilding" with Elvis Costello.[10] Rossdale initially wanted Steve Albini, who produced the 1996 follow-up Razorblade Suitcase, to work on Sixteen Stone.[10] David Carson designed the album artwork and packaging for the album.[10]
Guitarist Nigel Pulsford's father and Rossdale's stepfather died around the time the album was recorded.[10] Sixteen Stone is dedicated to both.[10]
Some time prior to release, the band, known previously as Future Primitive, became known as Bush after Carson convinced the band that a shortened name would be more suitable for a CD.[10] Sixteen Stone was delivered to Trauma Records in early April 1994,[10] and released on 6 December that year through the label. Rossdale has stated that the reason Sixteen Stone's release through Trauma was delayed was the label's distributor, Hollywood Records, opining that the record contained "no singles" and "no album tracks".[10]
Content[edit]
Style and influences[edit]
The music of Sixteen Stone has been characterized variously as grunge,[1][2] hard rock,[7] and post-grunge,[11] and has been compared with the music of 90s Seattle-based bands including Nirvana, Pearl Jam and Soundgarden;[2][12] the song "Bomb" in particular invited a description of "Nirvana-approximating" from Stereogum.[12] Styles displayed on the record include the balladry of "Glycerine",[13] the Ramones-indebted punk rock of "X-Girlfriend",[14] and what Stereogum proclaimed as "groove-grunge" on "Comedown" and "Body".[12]
Drummer Robin Goodridge told the publication Modern Drummer in 1996 that Sixteen Stone features percussion informed by the styles John Bonham of Led Zeppelin, Billy Cobham and Keith Moon of The Who.[15]
Lyrics[edit]
The lyrical content of Sixteen Stone concerned a variety of themes. "Testosterone" conveyed a take-down of machismo,[12] while Stereogum analyzed "Monkey" to be a "sardonic statement about rock stardom" and to "attack the British sellout angle".[12] "Bomb" is an anti-war song; Rossdale detailed to American Songwriter in 2011 that the song had been "written about the Irish IRA presence where I grew up".[16] Other songs relayed personal narratives, including "Little Things" which Rossdale claimed was written about "trying to be strong in the face of adversity".[17]
Reception[edit]
Critical reception[edit]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| Entertainment Weekly | B−[1] |
| The Guardian |  [18] |
| Q | [11] |
| The Rolling Stone Album Guide | [19] |
| The Village Voice | B−[20] |
Sixteen Stone received mostly positive feedback from music critics. Q wrote that Bush "make a carefully honed post-grunge sound that fits perfectly alongside American counterparts like Stone Temple Pilots or Live."[11] In a four out of five star review, Stephen Thomas Erlewine of AllMusic calls their sound impressive, but states that the band sounds too much like Seattle rockers Nirvana and Pearl Jam.[2] Robert Christgau was more critical in The Village Voice, regarding it as a "not altogether unmusical howl of male pain" that glorified "despair".[20]
Accolades[edit]
In April 2014, Rolling Stone placed the album at number thirty-nine on their 1994: The 40 Best Records From Mainstream Alternative's Greatest Year list.[3] A month later, Loudwire placed Sixteen Stone at number eight on its "10 Best Hard Rock Albums of 1994" list.[21] In July 2014 Guitar World placed the album on its "Superunknown: 50 Iconic Albums That Defined 1994" list.[22]
Remaster[edit]
Around the album's 20th anniversary, a remastered edition of its original recordings was released.[23] When asked about also remixing the album for the anniversary edition, Rossdale stated "I did attempt to remix ... but it's really, like, you just can't do that. You can't mess with stuff. Those mixes, every single level of those songs is just ingrained in my DNA as it's probably in anybody's DNA who knows it. It just sounds really weird when you mess with it."[24]
Track listing[edit]
All songs written by Gavin Rossdale.[25]
| No. | Title | Length |
|---|---|---|
| 1. | "Everything Zen" | 4:38 |
| 2. | "Swim" | 4:56 |
| 3. | "Bomb" | 3:23 |
| 4. | "Little Things" | 4:24 |
| 5. | "Comedown" | 5:27 |
| 6. | "Body" | 5:43 |
| 7. | "Machinehead" | 4:16 |
| 8. | "Testosterone" | 4:20 |
| 9. | "Monkey" | 4:01 |
| 10. | "Glycerine" | 4:27 |
| 11. | "Alien" | 6:34 |
| 12. | "X-Girlfriend" | 0:45 |
- Early pressings of the album do not list "Alien" on the back cover (there is a blank space where the title should be). "Monkey" is also missing from the inside cover, but both songs have lyrics printed and appear on the album.
- Subsequent pressings also include an acoustic version of "Comedown" and a second CD of live tracks, "Swim", "Alien", "Bomb", and "Little Things". Rather than actually being acoustic, the bonus "Comedown" track is actually Rossdale singing and playing guitar with more effects. This version is also slower paced, has violins added and has no drums.
Personnel[edit]
Bush
Additional musicians
| Technical personnel
|
Chart performance[edit]
Sixteen Stone first entered the Billboard 200 at number 187 for week ending 28 January 1995, and eventually peaked at number four.[26][27] In 2010 the album's US sales passed the six million mark.[28]
Singles[edit]
Billboard Music Charts (North America)
| Year | Song | Chart | Peak position |
|---|---|---|---|
| 1995 | Everything Zen | Modern Rock Tracks | 2 |
| 1995 | Everything Zen | Mainstream Rock Tracks | 5 |
| 1995 | Little Things | Modern Rock Tracks | 4 |
| 1995 | Little Things | Mainstream Rock Tracks | 6 |
| 1995 | Comedown | Modern Rock Tracks | 1 |
| 1995 | Comedown | Mainstream Rock Tracks | 2 |
| 1995 | Comedown | Billboard Hot 100 | 30 |
| 1995 | Glycerine | Modern Rock Tracks | 1 |
| 1995 | Glycerine | Mainstream Rock Tracks | 4 |
| 1995 | Glycerine | Billboard Hot 100 | 28 |
| 1995 | Glycerine | Top 40 Mainstream | 28 |
| 1996 | Machinehead | Modern Rock Tracks | 4 |
| 1996 | Machinehead | Mainstream Rock Tracks | 4 |
| 1996 | Machinehead | Billboard Hot 100 | 43 |
Weekly charts[edit]
Year-end charts[edit]
|
Certifications[edit]
| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[42] | 2× Platinum | 140,000^ |
| Canada (Music Canada)[43] | 6× Platinum | 600,000^ |
| New Zealand (RMNZ)[44] | 2× Platinum | 30,000^ |
| United Kingdom (BPI)[45] | Silver | 60,000^ |
| United States (RIAA)[46] | 6× Platinum | 6,000,000^ |
^ Shipments figures based on certification alone. | ||
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